Enter the Gungeon
Enter the Gungeon
Enter the Gungeon is all about bullets and guns and shooting stuff. No really, it’s all about that – to a hilarious degree. The story revolves around a giant uber-bullet that falls from the sky, shell casings and primer rims are worked into the otherwise-standard environmental art at every opportunity, and many of your enemies themselves are (you guessed it) actual bullets who fire what I suppose are their little cousins out of the guns they hold with stubby, T-Rex-like hands. This mix of goofy fetishism is immediately disarming, setting a unique, charming tone right away.
The minions who fill the halls of the Gungeon are no less varied. From floating iron maidens that spew bullets that try to hit you coming and going to finger-wiggling bullet wizards who project astral copies of themselves to attack you around walls or behind cover, the enemy variety ramps up nicely as you go from level to level, providing an ever-shifting set of challenges to meet as you progress.
Visually, Enter the Gungeon is stunning. Care has been placed in the smallest details, mixing its retro-inspired pixelated artwork with more contemporary styles of visual feedback. There’s tremendous impact to each of the on-screen actions. Books burst into clouds of loose pages when shot or kicked, explosions rattle rooms, and a generous color palette creates an interesting gothic fantasy/cartoon fusion that aligns with the game’s darkly humorous tone. When coupled with a pulsing, energetic soundtrack, Enter the Gungeon is an audiovisual treat.
Its flaws elsewhere are all the more disappointing. So much care is apparent in its construction, but in its attempt to merge multiple genres and styles together, Enter the Gungeon’s most important elements–namely its roguelike flavors and massive offering of distinct weapons–don’t gel. It’s a game at odds with itself.
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